Artful Green Dot

The Sticky Note, After 45 Days

Posted in Uncategorized by Audrey Tran on December 16, 2009

Here we are after 45 days. My note has developed a slight, fine curl, perhaps due to the amount of ink coating the front face.  I didn’t expect it to be sticky at this age, but it can still cling to a dry surface, if firmly pressed. I’m hoping for a few more weeks out of this note before I find myself turning it over to start using the backside.

This next picture documents the sticky note around its younger days:

Tagged with:

Tan Lin’s Landscape of Poetry, Text, and Pictures: A Piece from PERFORMA ’09

Posted in Actions by Audrey Tran on November 18, 2009

Tan Lin’s Chalk Playground (LitTwit Chalk) set about a dozen+  artists and writers to chalk their thoughts on the streets of NY last Saturday. Pieces chalked included a Futurist Manifesto, a Chinese Manifesto, and many other impromptu pieces of poetry. The following pictures catch the “poetry line” working away in a parking lot in Chinatown.

Here’s a favorite:

I only caught up with the poetry line downtown, but the entire performance actually traveled across Manhattan.

Tagged with: , , ,

A Note that Sticks Around

Posted in Uncategorized by Audrey Tran on November 4, 2009

post-it[1]What you see before you is a 5-business day old Post-it note, which out lives 99% of the sticky slips I consume during my day job.  Recently, I decided to try using this one over and over until it becomes completely filled and dysfunctional.  Although I already have an idea of what that must look like, I am curious to see just how long this task can be kept up. Along the way, I’ll document and update you with the progress.

It must be noted, though, that I still constantly use several post-it notes during work to effectively communicate with co-workers and label documents.  Still, there’s always some small task I’m finding each day that doesn’t require the use of an entire sticky note.

Tagged with: ,

The Aura of 2012+

Posted in Exhibits by Audrey Tran on October 15, 2009

Despite the cold rain two weekends ago, I managed to get to the opening of this new show in Chelsea.  The Drop Gallery is currently showing works from about thirty international artists who have been asked to explore urban environments.

Print

Some artists approached the subject by documenting peculiar intimacies of urban life (one multi-part sound piece exposes different noises found around famous NYC sites) Others such as Adrian Kondratowicz and Saya Woolfalk created art pieces that draw attention to our already existing world.  On a quick Tweet, I noted that Kondratowicz’s hot pink and black spotted trash bags make garbage look like a party. His installation looked more like life-sized plastic bags for party favors rather than containers of garbage.  Likewise, Woolfalk installed a video of No Place among one of her sculptures created from recycled materials–imagine glue bottles, milk jugs, and soup cans now paper mached and regally covered in gold paint. In No Place, bits of our world seem to emerge subtly, but are always present.

Of the many ways the 2012+ artists handled the subject, I was drawn most to the works that revolved around collaboration–either among the viewers present, or from pre-arranged participants. For example, Yoko Ono’s Wish Tree invites passersby to scribble a wish on note tags, which can then be tied to a potted tree resting in the gallery. Since I caught the show during the first hour of the opening,  only a few notes had been tagged to the tree, but I can imagine how filled it must be by now–and this is quite an image. How blithe and spiritual, it seems, to unload wishes upon a tree. Ono has been showing such pieces since the 1990’s and has previously said “All [her] works are a form of wishing.

Although his international collaboration is set for viewing in December, Hiroshi Sunairi’s Tree Project also made a debut at 2012+ with a sampling of the beautiful trees from his NY participants.

Sunairi’s project is an open call to anyone who wishes to participate in “the pleasure of growing plants,” specifically Hibaku plants, which are seeds that survived the atomic bombing of Hiroshima.

TONIGHT, The Drop will host a closing party for the show and will feature a variety of professionals speaking on their reflections of the word “environment” using no more than “20 slides for 20 seconds” a piece.

2012+ is on view at the Drop Pop Up Gallery on West 25th Street (between 10th and 11th ave) in Chelsea.  See it before October 17th!